DRAWING
« The pencil in the architect’s hand is a bridge between the imagining mind and the image that appears on the sheet of paper; in the ecstasy of work, 
the draughtsman forgets both his hand and the pencil, and the image emerges as if it were and automatic projection 
of the imagining mind. » (Juhani Pallasmaa, 2010. The Thinking Hand: 
Existential and embodied wisdom in architecture. p.17 ) " I prefer drawing to talking. Drawing is faster, and leaves 
less room for lies ”. Le Corbusier, 
while speaking to Columbia University
 May 05, 1961. Article in Time Magazine
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FOUR Hands 
Drawings 2011 / 2012, 
8 0 x 1 8 0 cm 
with Théo de Gueltzl